Pet portrait commissions · United Kingdom

Loved in Colour

Loved in Colour

Colour-drenched pet portraits of the animals you love. Built digitally and then by hand in oil pastel, coloured pencil and mixed media, worked from a photograph you already have on your phone.

…with white highlights and gold embellishments

A4 from £35A3 from £55Postage £10Ready in 2 to 3 weeks

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  • What it is

    A physical, one-off worked surface. Layered over many hours in oil pastel, coloured pencil, paint pen and mixed media, then posted to you.

  • Who it is for

    Anyone with a photograph of an animal they love. Dogs, cats, horses, fish. Gifts, and memorials for the ones no longer here.

  • What to do next

    Send me the photograph. I will tell you honestly whether it will work and exactly what it will cost, before you commit to anything.

Before and after

This is what I can do with your photograph

Every one of these started as an ordinary photograph on somebody's phone. Drag the handle across to watch it become the piece. Not one of them began with a perfect photograph, and that has never once been a problem.

Send me your photograph

A4 from £35, A3 from £55, plus £10 postage.

The original photograph of Buddy, a black spaniel resting on a sofa The finished portrait of Buddy in blue, lilac and gold mixed media Their photograph The piece ← Slide →
BuddyA3, mixed media
The original phone photograph of Ted, a dark coated dog being held The finished portrait of Ted in coral, cream and violet mixed media Their photograph The piece ← Slide →
TedA4, mixed media
The original phone photograph of Squash the cat The finished portrait of Squash in oil pastel and coloured pencil Their photograph The piece ← Slide →
SquashA4, oil pastel and coloured pencil
The original photograph of Baloo the miniature poodle in his bow tie The finished portrait of Baloo in paint pen and oil pastel over deep blue Their photograph The piece ← Slide →
BalooA3, paint pen and oil pastel

The collection

My portfolio gallery so far

Dogs, cats, horses and fish. Long coats, black coats, wet noses and daft expressions. Every one began as somebody's phone photograph, which means yours can sit here too. Select any portrait to open it larger and read where it came from.

Commission yours

A4 head study from £35 · A3 full body from £55 · postage £10

Up close

Where the light catches

Oil pastel sits proud of the sheet. Gold and white paint pen go on in the last half hour and they are what makes a piece shift as you walk past it. This is what the surface looks like from a few inches away, and it is the part a screen can never quite carry.

Gilbert up close, coral and hot pink pastel worked over a green ground
Gilbert · coral over green
Squash up close, whiskers picked out in white paint pen over magenta and blue
Squash · white on magenta
Bella up close, wildflowers layered around her in paint pen and oil pastel
Bella · the wildflowers
Baloo up close, cream and pink pastel against deep blue
Baloo · cream on blue
Daphne up close, gold seams running between panels of black coat and a lemon patterned harness
Daphne · the seams
Luna up close, her nose and tongue in coral and violet coloured pencil against purple
Luna · nose and tongue
Buddy up close, black curls carried in pink, blue and yellow pastel strokes
Buddy · the curls
Daphne up close, a black nose picked out in white and blue over layered colour
Daphne · the nose
Luna up close, an eye worked in blue and white pencil against warm pink
Luna · the eye
Buddy up close, his muzzle in lilac and blue with flowers building up beside him
Buddy · the muzzle
Goldy up close, orange scales and translucent fins in coloured pencil over deep blue
Goldy · scales and fins
Daphne up close, the blue and lemon harness against hot pink and black
Daphne · the harness
Luna up close, whiskers laid in over coral and pink pencil
Luna · the whiskers
Buddy up close, his eye and brow with yellow meadow behind
Buddy · the eye
Luna up close, the edge of her jaw dissolving into flat purple ground
Luna · the edge
Buddy up close, lavender and wildflowers drawn in beside his ear
Buddy · the lavender
Beth Jenkins crouching in a burgundy dress beside Baloo, her cream miniature poodle
Me and my miniature poodle, Baloo and where this all began

About me and my evolved process

I would rather show you how it is made

I started making digital pet portraits on a sketchbook platform when I was twelve, drawing for friends and family who wanted something of their own animal. What began there has grown into a more collaborative process.

Every commission begins with your photograph. I use AI generation and engineering alongside Photoshop and manual editing to develop a reference base, working out proportions and composition before anything is committed. That reference is a starting point and not the finished piece.

I then print the composition reference, and the sheet becomes the physical surface I work on. From there the piece is built up over many hours with oil pastel, coloured pencil, paint pen and mixed media layered across the surface, drawing on collage and printmaking techniques. White highlights and gold embellishments go on last. You can ask to receive the separate reference sketch, so you can see where your portrait began.

What arrives is a physical, worked, one-off surface, made for one animal and one home.

After achieving A*A*A* at A-level, including Fine Art, I am going on to study Digital Media and Culture at King's College London. I intend to keep experimenting with print, technology and media, and where they meet traditional materials. I am interested in what it means for an artist to evolve rather than stand still, and this is where that has taken me so far.

Beth x

My process

  1. The photograph

    Yours, as it is. A phone photograph from years ago is enough to begin.

  2. The reference base

    Proportion, pose and colour direction are resolved digitally before any mark is committed.

  3. The surface

    The reference is printed, and that printed sheet becomes the ground I work into.

  4. The build

    Oil pastel, coloured pencil, paint pen and mixed media accumulate over hours until the colour holds.

  5. The finish

    White highlights and gold go on last. It is the part that makes a piece move as you walk past it.

Before any colour, the planning sketch

Every piece is worked out first as a line drawing with a set of colour marks beside it. Pose, crop, where the weight sits, which colours are allowed in. You can ask to see yours before I start.

Line drawing of a Scottish terrier with a row of pink, purple and coral colour marks beside it
Terrier, first draft
Line drawing of a horse's head in profile with warm brown and blue colour marks
The plan for Clyde
Line drawing of a small terrier sitting, with pink, coral and violet colour marks
Pose and palette
Line drawing of a scruffy terrier among flowers with warm colour marks beside it
Working out the setting

Memorial commissions

For the ones who are no longer here

You don't need a perfect photograph. You just need one that reminds you of them.

I have worked from old prints, from screenshots, and from photographs taken on phones long since replaced. Tell me about them when you write, the colours they suited, the way they sat, anything you want carried into the piece, and I will take care with it. Bella, Jill and Goldy are the memorial pieces I have made so far.

Commission a memorial piece

Bella, a memorial piece, surrounded by wildflowers
Goldy, a memorial piece, a goldfish in coloured pencil over deep blue

Sizes and prices

Choose your portrait

Prices depend on the photograph, the size and the composition you have in mind, so these ranges are where pieces land. I confirm the exact price before you pay anything.

Most popular

A4 head study

£35 to £45

One pet, head and shoulders. 210 by 297mm.

A3 full body

£55 to £65

One pet, full body or a scene around them. 297 by 420mm.

A2 statement

On request

Larger pieces and sets of several animals. Ask and I will quote.

What you receive

  • A one-off worked surface, made for your animal and nobody else's.
  • Layered in oil pastel, coloured pencil, paint pen and mixed media, with white highlights and gold worked in at the end.
  • A personalised note or gift card, written by hand.
  • Stickers and a business card.
  • The separate reference sketch, if you ask for it.
  • Packed flat with a tissue paper sheet across the surface, sandwiched between rigid cardboard for safety and wrapped nicely.

One thing worth knowing. Oil pastel never fully hardens. Please do not touch the surface, and frame it behind glass. It stays alive that way for decades.

The small print, plainly

  • Postage and packaging is £10, added on top and never folded into the price. Royal Mail Tracked 48.
  • A 50% deposit by bank transfer books your slot and starts the work.
  • The balance is due once you have seen and approved the finished piece.
  • Turnaround is 2 to 3 weeks from your deposit.
  • One round of minor adjustments is included. The style is expressive and colour led rather than photo-realistic, and that is the point of it.
  • A frame-ready mount board can be added. Ask when you enquire.
  • Bespoke and personalised pieces are exempt from the 14 day cancellation right under UK consumer contracts rules, so please do read the commission terms.

Send me a photograph

Reviews and testimonials

What people say when it arrives

Messages from people who have commissioned a piece.

I absolutely love it for more reasons than I can articulate.

Commission, 2026

Oh Beth it's brilliant. You've got the thumbs up from all four of the family, who all think you are very clever.

Commission, 2026

I got my portrait today. It's lovely, thank you. Packaged really well, with a nice wee message from you included.

Commission, 2026

This is perfect. Can I ask you to post this direct to my friend? She will love this.

Gift commission, 2026

I absolutely love this. I'll get pics over to you when it's framed. I've posted the picture on our dog rescue Facebook page.

Commission, 2026

They have arrived. I love them so much, thank you.

Set of pieces, 2026

Share your thoughts

If I have made something for you, I would love to know how it landed. Pick your pawprints, write a line, and it will open a message ready to send.

Your rating

This opens your own email app with the message ready. If nothing happens, email lovedincolour@gmail.com instead.

Start yours

Tell me about your pet

Four things is all I need. I will say honestly whether your photograph will work, and confirm the price, before you commit to anything.

A hand resting on an A3 portrait, showing how large the piece actually is

A hand on an A3, because size is the thing people misjudge online.

Optional, and up to 5MB. Phone photographs are often larger than that, so if yours will not attach just email it to lovedincolour@gmail.com and I will match them up.

Your details are used to answer your enquiry and nothing else. See the privacy notice.

If this form will not play

It happens. Nothing is lost, just reach me directly and I will pick it up the same way.

Contact me and my platforms

Find me anywhere

The quickest way to start is an email or a message on Instagram with a photograph attached.

Beyond Loved in Colour

Support my other creative endeavours

Loved in Colour is one part of a wider creative practice. I write, I design, and I am building a career as a creative designer. If you have enjoyed the work here, these are the other places I am putting it.

Commission yours